Tag: glass inlay

Thresholds

“Thresholds” is a new series of multimedia sculptures where turned or carved wood human figures stand at the threshold of new beginnings. A doorway frames their dreams, represented by an agate. As we stand at the threshold of a decision, the glass bevel gives us pause to consider….

”Thresholds” is an evolving series of sculptures that include a human figure on the brink of a transition. The upright wooden panels, configured to look arch like embrace a glass bevel representing the barriers we place between ourselves and our dreams. We can see our dreams, but can we embrace them? As we stand upon the threshold, life moves on.

”Sophie” is a young woman, thriving in high school, approaching 16, and using music to create community. In thinking about her position in life, the Haiku attempts to support her efforts, acknowledging that she is in the spring of life and like a concerto, life is a solo performance supported by the orchestra of family, friends and community

A wooden sculpture featuring a young woman playing a flute, positioned between two upright, arch-like wooden panels with a glass bevel, symbolizing the transition between dreams and reality.
Dreams on every breath
Dancing with the light of spring
My life’s concerto

“Thresholds, Dreamers”

“Thresholds” is a new series of multimedia sculptures where turned or carved wood human figures stand at the threshold of new beginnings. A doorway frames their dreams, represented by an agate. As we stand at the threshold of a decision, the glass bevel gives us pause to consider….

Some time ago, I started a series of figures to explore off center turning. The characters each had their own backstories but lacked a platform to express their status in life. As I was going through some glass supplies I rediscovered some beautiful agates and the notion of doorways and dreaming took root.

“Blue hat with flowers”
“A feather in her hat”

Egg Moon

Egg Moon, is the 7th sculpture in my Full Moon series inspired by the indigenous names given to the full moon.

I have almost finished listening to Robin Wall Kimmerer reading her book “Braiding Sweetgrass”. Her ability to weave botany, and indigenous story telling together to reveal and explain the reciprocity of the natural world has been liberating for me.
While I started this piece well before the book, I believe it to be have come from the same source of respect and wonder at the natural world that is powered by our sun.

Egg Moon, is the 7th sculpture in my Full Moon series inspired by the indigenous names given to the full moon. It captures the spirit of rebirth that fills the air in springtime. Trees start to leaf out and energize our world, birds build nests, and the natural world lets loose in exuberant regrowth and renewal. “I as Virgo, breath the sweet airs of spring” 16.5″ x 11″, Ambrosia Maple, Sycamore, Hard maple, glass

Exploring multimedia

  • d:6″ Ash bowl with irridized glass rim
  • d:8″ Pecan bowl with turquoise glass mosaic
  • d:16″ Manitoba Maple platter with dichroic medalion
Over the years I have been tempted to add glass to my turnings. Note to self: turnings are spherical so mosaics have to be small! These three turned out well and the light reflections and color changes add a dynamic interest. The Ash bowl was initially turned when I was just getting started with turning. My local club (Bytown woodturners, Ottawa) insisted that I join them at a demo at the local home show exhibition – I thought they were mad at the time, the experience was absolutely terrifying but fun.